Along with Logic Pro, these new pro apps will both bring all-new touch interfaces to these legacy apps, which should allow users the ability to enhance their workflows with multi-touch intuitiveness. In what could be chalked up as the most inevitable move ever, Final Cut Pro is finally going to be offered on iPad and will be available on May 23rd, 2023. But this news today will certainly signal a new direction and drastic shift for Final Cut Pro moving forward. Still, for certain video editors who got started in the early or late 2000s, there are plenty of fans of Final Cut Pro who have either kept using it for some of its hallmark features (like its popular magnetic timeline) or at least fondly remember the NLE and wish to see it rise again. This further divided the market and ultimately added more solid options for video editors of all skill levels. This gave Adobe Premiere Pro a chance to fill in the void along with Blackmagic Design’s DaVinci Resolve, which has also made inroads in the professional video editing world as it grew from a color grading suite to a full-fledged NLE and compositor. Final Cut Pro began a slow decline which has left it behind its competition. However, the slimmed-down Final Cut Pro X released in 2011 lacked many of the features of previous iterations and professionals weren't happy with the changes. Several filmmakers on our staff cut most of their early work on Final Cut 7. Originally designed as a more easy-to-use and accessible alternative to Avid, Final Cut Pro was one of the most popular NLEs in the world in the 2000s. Originally developed by Macromedia and, since 1998, Apple as part of its pro apps collection, Final Cut Pro has been a legacy NLE which has seen its popular ebb and flow throughout the age of digital video editing. What will this mean for your video editing needs? Let’s take a more in-depth look into the news of Apple finally introducing Final Cut Pro and Logic Pro for the iPad. While professional editors have been asking Apple to give FCPX the pro support we've been seeing from their other products, will this move the needle for the majority of professional video editors who have found comfort (and support) in Premiere Pro or DaVinci Resolve?īut this does represent a much-anticipated user-base shift for Apple and Final Cut Pro that might ultimately work out for everyone. In a bold move (and probably a very smart one), Apple has just unveiled that Final Cut Pro is finally going to be available on iPad devices.
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